《来不及说我爱你》9.

子どもに夢を与え、想像力をはぐく(📟)むコ(🛋)ン(🛄)テン(😃)ツ作りをめざして、キャラクターア(🍱)ニメ(🐔)ー(🎣)ショ(🍙)ンを中心にデジタル絵(guì )本(bě(🐓)n )やARとい(🦄)った(🍛)ア(🚩)プリ(⛱)などを通して、エンタメから(🍫)知育ま(🦓)で幅(🤽)広(🗜)く活(🎙)動しているスタジオななほし(🚛)が、ジ(🖐)ャン(🗝)ルやメ(🔝)ディアを問わず、ものづくり(🗂)を手掛(♊)ける(📊)ウサギ王(wáng )と制作。どこの家にもある(🍁)縁起(📽)(qǐ(🆔) )物(wù(📫) )たちと、彼らが動くさまを見た子ど(😈)もた(💧)ち(📀)との(🔘)交流を、躍動感いっぱいに描(⬆)(miáo )いた(🐌)ドタ(💩)バ(Ⓜ)タコ(🧘)メディ！

Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.

藝術家自古(gǔ )皆(jiē(🤖) )寂寞(mò(💴) )或許(🥢)是(👊)境界(🕚)，人到中年萬事憂則(zé )是(shì )現(xià(🍭)n )實(shí )。在(🥣)畫室(🐵)洋洋灑(👖)灑呈現自由雄風的(de )裸(luǒ )男(nán )畫(🗨)作令他(📇)一舉(📳)成名，在家面對前妻懷(huái )着(zhe )新歡(huān )骨肉(👿)、與(👝)女(🔦)兒相(😧)處尷尬卻令他一(yī )籌(chóu )莫(mò )展(zhǎn )。貝蒙(🥏)特的(🎨)寂(👰)寞，在(☔)於如何在著(zhe )名(míng )畫(huà )家(jiā )與單(🐒)親爸爸(👻)雙重(🚸)身(🦖)份、(🤮)藝術創作與(yǔ )家(jiā )庭(tíng )生活(huó(🎣) )之間取(㊙)得平(🏯)衡(✒)。維羅(👄)（《電影就(jiù )在(zài )街角(jiǎo )》，35 屆）找(♎)來合作(📎)多年(🅰)的編劇(🐭)兼(jiān )美(měi )指(zhǐ )好(hǎo )友對號入座(🌋)，還原藝(🚰)術家(🚱)有血有肉(ròu )的(de )矛(máo )盾本性，在出世與入(🙅)世的(😺)兩(📊)難外(💾)，毋(wú )忘(wàng )點點(diǎn )超現實的幽默。

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

不管这(🍀)导演(🧟)嗑(🕢)了(le )什(🙋)(shí )么(me )很(hěn )纯的，全部都要给你来(🧔)一点！在(🎸)澳(à(🐭)o )洲(🚚)(zhōu )这(👘)(zhè )座曾经被称作「无主之地」(🌝)（Terra Nullius）的(💩)(de )大(dà(😵) )陆(🤶)(lù )，历(🤔)(lì )史以前所未见的观点重新诠(🍬)释：当(💥)(dāng )《疯(💥)(fēng )狂麦斯》末日场景成为难民拘留(liú )地(🔮)(dì )，食(shí(🏉) )人羊(👇)成为反殖民叛乱份子，《沙漠(mò )妖(yāo )姬(jī(🎇) )》与电(📕)视(🚮)剧《请(✳)喜欢我》有了跨时空(kōng )的(de )酷儿(ér )对话…(🔞)…本(🕴)片(🏕)以近(🐪)似DJ取样混音之(zhī )拼(pīn )贴(tiē )手(shǒ(🎃)u )法，打开(👍)了虚(👆)构(🈺)与史(🏔)实间的神秘黑(hēi )洞(dòng )，大量援引(📄)电影名(🍚)场景(👿)与(📖)历史(🐕)典故，穿(chuān )越(yuè )时空(kōng )与各种语(🛅)境，重写(🐤)、改(🕹)写、乱写(xiě )，全面(miàn )毁坏观众的三观！这(🚘)是(🚔)一部(🥜)政治(😟)(zhì )复(fù )仇(chóu )预(yù )言，杂揉讽刺喜剧、生(🚯)态恐(🔷)怖(👈)与公(🦎)(gōng )路(lù )电(diàn )影类型，写下澳洲国族神话(✊)从未(💉)被(👆)纪(jì(📖) )录(lù )的史(shǐ )诗篇章。

银行经理雅(🆘)各布(弗(📽)兰克(👝)(kè(🕸) )·格(🏪)(gé )里(lǐ )罗饰)的同事被暴徒夺去(🥉)生命，而(🤯)他(tā(Ⓜ) )将(jiāng )和(🌫)(hé )警察(布鲁斯·威利斯饰)联手(🙅)制服凶(🖼)手(shǒ(🦎)u )。