明朝(chá(🎉)o )嘉靖年间,倭患(🌗)(huàn )不止。朝(🤙)(chá(😴)o )廷惊闻有(😴)(yǒu )民间组织和朝廷(tíng )官(🍖)员里通(tō(🚎)ng )倭(🚇)寇,渔(yú )利(🐱)国家,于是责(zé )令六扇(🌯)门(⏲)(mén )负责侦(🔛)(zhēn )查并找(🧣)出官员通倭(wō )证据。六(liù(🏨) )扇(🎼)门小(xiǎo )捕(🔦)快陆小虾(🖊)临危受(shòu )命,同(📐)时(shí )被六(🥛)扇(😭)(shàn )门总捕(🗨)头于初心派(pài )人追杀,危(🍾)难之(zhī )际(🤦)被“山河兵团”的七爷所(suǒ )救并带(dà(💾)i )回(🥧)兵团之中(⛵)。
90后单(dān )身(⏯)多金男(nán )宋子(🛄)明(míng )有一(🏖)身(🆒)非(fēi )凡的(📽)武功,却是(shì )一枚现实(shí(🥤) )生活中如(🍾)(rú(😭) )假包换的(💤)娘炮。为和朋友(yǒu )们打(🔶)赌(🍞),宋子明隐(🈴)瞒自己(jǐ(🛤) )多金且会(huì )武功的(de )秘密(🎐),应(✨)聘到健身(🏂)(shēn )馆追求(🐨)心(xīn )仪女教(jiā(🎋)o )练黄飞并(🔗)有(😎)幸成为(wé(👓)i )其特别助(zhù )理。宋(sòng )子明(💿)和伙伴小(🌎)胖接(jiē )受黄飞和(hé )同事陈(chén )艳几(👄)近(🌲)残酷的训(💸)练(liàn ),糗事(🧒)不(bú )断,笑(xiào )料(♒)连连……(📇)为(🛸)黄飞(fēi )受(🌭)伤住院(yuàn ),与小(xiǎo )伙伴们(🐝)一(yī )起解(Ⓜ)救被拐儿童(😾)(tóng ),打败黑(hēi )龙平息健(🛹)(jià(🦐)n )身馆老板(🛤)方成的(de )江(🔄)湖恩怨(yuàn ),宋子明(míng )勇敢(😆)机(🏾)智的表现(🚋)(xiàn )赢得了(🚀)黄(huáng )飞的好(hǎ(🔹)o )感。青春激(🎵)荡(🈲),活(huó )力四(🥋)射,宋子明(míng )收获了爱情(🤲),与小(xiǎo )伙(✌)伴们一(yī )起实现(xiàn )了创业梦想,功(🚼)夫(📼)(fū )娘炮最(🍨)终(zhōng )一炮(🕛)打(dǎ )响。
故事讲(🐊)述了围(wé(🍩)i )绕(❇)著朝鲜(xiā(🎑)n )时代,历史中没有记录的(😍)(de )一夜中,国(😷)王护(hù )卫「(😰)名剑(jiàn )手」金浩与谋(🚮)反(🌼)(fǎn )武士之(✂)间(jiān )惊心(🏑)动魄(pò )的对决。
泰国边(biā(🎥)n )境(🏨),1997年。
本片来(📓)自(zì )新片(🎓)场创作人吴(wú(👜) )晋超,他(tā(🐅) )担(😄)任这(zhè )部(🅿)影片的导演、编(biān )剧、(🚂)美术(shù )以(🗣)及剪(jiǎn )辑。出品方为BITONE。
在(zài )风景秀丽(🖲)(lì(😑) )的太平(pí(🕺)ng )湖,在此写(🎤)作的作(zuò )家周(🌶)楚寒(hán )和(💦)来(🚤)旅(lǚ )游的(🦃)江颜在此相遇(yù ),因为不(🕤)(bú )经意的(🚴)(de )碰撞,相互之间那(nà )颗驿动的(de )心变(🚲)得(🔟)(dé )跳动起(👨)来(lái ),虽然(Ⓜ)素不相识(shí ),却迷失(shī )在(🏭)太(🤪)平湖(hú )和(💔)群山之中,真(zhēn )实而虚幻(🎬)(huàn ),浪漫而(🏖)(é(🥘)r )激情。 旅游(🕴)结束(shù ),江颜回(huí )到现实(💼)(shí )生活中(💥),但没有想(xiǎng )到在城市(shì )中又遇(yù(💙) )到(😻)周楚寒,一(🛷)场情(qíng )感(🙂)纠葛就(jiù )此开(🎒)始(shǐ ),江颜(🥞)在(👐)周的追逐(🚭)(zhú )之下,慢(màn )慢的松(sōng )动(🆚)了自己情(📦)感的堤(dī )坝,由拒(jù )绝慢慢(màn )爱上(💍)了(🍚)周楚寒,江(⛷)(jiāng )颜为了(💏)爱放弃一(yī )切,本以(yǐ )为(🌟)和(🍰)她一样勇(🏡)敢(gǎn )的周楚寒(hán ),苦于压(🕦)(yā )力,最终(🐢)选(🚪)择了(le )在痛(⏬)苦中(zhōng )逃避…… 几个月(👔)之后,江(jiā(🔠)ng )颜碰到了(le )周楚寒(hán )一家聚餐的情(🗻)景(🧗),感慨万分(➿)(fèn ),最后(hò(🅰)u )她来到了太平(🍲)湖,当时他(🏩)们(🗨)(men )相遇的(de )地(🏀)方,情感再也控(kòng )制不住(🚾)痛(tòng )哭流(⛹)泪(lèi )。爱情开始的地方(fāng )又成了结(🥎)(jié(🏤) )束的地(dì(🤑) )方。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.