洛朗(Laurent)家是(🙌)一个富(🌨)(fù )裕的上(shàng )层(cé(🕘)ng )中产(chǎn )阶级(🚗)家(jiā )庭(📪)。80多岁的老人乔治·洛朗(George Laurent)逐渐(👺)陷入老(🏡)年痴呆(🕠)。他和两(liǎng )个(gè )已(🏾)婚(hū(🕢)n )的(de )儿女(🥪)(nǚ )托马(🍁)斯(sī )(Thomas)和安妮(Anne)一起(🅰),正不自在地(🔗)分享他(🎴)在加莱(Calais)富(fù )丽堂(🚑)皇(huáng )的(de )庄园(🤷)(yuán )。离异(🚑)(yì )而冷漠(mò )的安(🐃)妮,不得不承(✖)受因儿(🛐)子皮埃尔(Pierre)的失职(♓)而导致(zhì )的(🌮)(de )灾难(ná(🗨)n )性(xìng )工作(zuò )场所(🎬)事(shì )故的影(🔆)响。与此(👪)同时,托马斯的前(😮)妻因一场神(🧝)秘(mì )的(🌳)中毒(dú )而(ér )被紧(jǐn )急(jí )送进(🌻)(jìn )医院(😲),导致他(💱)13岁的郁郁寡欢的(📘)女儿(🏓)艾芙(È(🎺)ve)与父亲(🌌)(qīn )和他的(de )新(xīn )婚(🎮)妻(qī )子(zǐ )安(📇)娜(nà )伊(🤞)思(Anais)生(shēng )活在一起(🎖)。毫无疑问,在(🔺)这个家(🐝)庭中,每个人都(dō(🤐)u )有(yǒu )不可(kě(🈴) )告(gào )人(🍡)的(de )秘密,而随着洛(🏤)朗家的命运(⏰)与持续(🐛)而不光彩的欲望(💋)交织(zhī )在(zà(🎷)i )一起(qǐ(🥋) ),一种(zhǒng )特殊而(é(🃏)r )又令人不安(💇)的联盟(🍚)就会形成。但最终,有些更大(dà(🔍) )的秘密(🦕)(mì )即(jí(🚮) )将揭(jiē )晓(xiǎo )……(🔕)
嘉庆(🦉)年间,海(🔩)州之地(💍)官商勾结腐败严(💍)重,乡绅刘(liú(🕓) )德高与(🚠)(yǔ )日(rì )本人(rén )串(🚎)(chuàn )通走(zǒu )私(🚆)鸦片(pià(🏅)n )残害百姓。刑部尚(💵)书敖青密令(📧)洪涛前(👕)往特查此案(àn )。
作(👝)家(jiā )欧(ōu )阳(🤭)坤(kūn )新(🍗)婚,新婚妻子沈静(🌝)轩却与欧阳(🎠)坤的同(🕕)学萧炎,产生情(qí(🉐)ng )愫,使(shǐ )得(dé(🏜) )婚姻(yī(🤒)n )破裂。
A detective with some unusual qualities investigates a murder.
青釬治乱,倚天定国,长久(🌮)以来,历(👜)代皇帝(🉑)都以(yǐ )为只要(yào )得(dé(🙇) )到青(qī(🏄)ng )釬(gān )和(⏹)倚(yǐ )天两柄神剑(📊)就可夺得天(🌷)下,但却(♉)无一能识破两把(🙏)(bǎ )宝剑的(de )秘(📣)(mì )密。
In 1986, three teens were brutally murdered after knocking on the door of 59 Oakwood Lane. The killer was never found. Over the next forty years, rumours turned to legend, and while few will admit to believing the stories, kids are still warned never knock on the door of 59 Oakwood Lane for fear of what may answer.On this Halloween night, Grace and her friends are going to wish they’(🌁)d heeded the warnings and never knocked…
此(cǐ )片以在(zà(🥠)i )民间广为流(😋)传的民(🌃)国“鬼新娘”故事为(🎋)背景,讲(jiǎng )述(🥝)(shù )了都(🦈)(dōu )市(shì )青年(nián )林(🍠)青衣(yī )和梁(🈺)晓光感(➿)人至深的爱情故(🏠)事。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.