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阿軒(xuā(🕍)n )意(yì )外(🏻)(wài )穿(chuān )越(yuè )回到(💛)了5年前(📕)仍在讀(dú )大學的(🥏)時期,正(🗓)是他與女友 Joyce第(dì(🔧) )一(yī )次(📥)(cì )邂(xiè )逅的日子(🍕)。阿軒認(🌜)為這是上天給他(😜)的一次(🌸)機會, 讓(ràng )他(tā )阻(🎩)(zǔ )止(zhǐ(👪) )父親因沉迷賭博(🥣)而鑄成(👡)大錯、並救回5年(👟)後意外(🛅)受(shòu )傷(shāng )昏(hū(💂)n )迷(mí )的 Joyce,從(👎)而改變自己的(🔃)(de )命運。然而(🌻),命運真的(🏃)可以(yǐ )改(gǎi )變(💩)(biàn )嗎(ma )?一(🆗)切又是否可以(🚘)如他所(🌜)願?
Tommy DiNello, a freelance videographer, moves back to North Branford Ct. from New York City after two years on his own. His extremely close cousins, Marie and Dom Jr., are reluctantly accepting their father's new young foreign wife Varya, just two years after their mother's death. Since Tommy's parents moved to Florida when he was away, he has no choice but to stay with his Uncle Dominic and cousin Marie while battling memories of the reason he left town in the first place. His dear friend, Angela and him are reunited, This is bittersweet as she is the only one with clear knowledge and witness of his past.
不管这导演(🎑)嗑了什(⛑)么(me )很(hěn )纯(chún )的(de ),全(🏣)部都要(📑)给你来一(yī )点!在(🎐)澳洲这(😎)座曾经被称作「(🕵)无(wú )主(🛣)(zhǔ )之(zhī )地」(Terra Nullius)(🐹)的大陆(🛤),历(lì )史以前所未(🖲)见的观(🕷)点重新诠(quán )释(shì(💞) ):当(dā(🌠)ng )《疯狂麦斯》末日场(❎)景成为(🌘)难民拘留地,食(🧑)人羊成(ché(🏆)ng )为(wéi )反(fǎn )殖(zhí(📷) )民叛乱份(🍐)子,《沙漠(mò(👏) )妖姬》与电视剧(🚋)《请喜欢我(🏮)》有(yǒu )了(le )跨(kuà )时(💪)空的酷(💝)儿对话……本片(😬)以近似(✖)DJ取样混音之拼贴(🌦)(tiē )手(shǒ(👶)u )法(fǎ ),打(dǎ )开了虚(📮)构与史(🧛)实间的神秘黑洞(😤),大量援(♐)引电影名(míng )场(chǎ(⛱)ng )景(jǐng )与(🏎)(yǔ )历史典故,穿越(⚾)时空(kō(🎑)ng )与各种语境,重写(🍁)、改写(💡)、乱(luàn )写(xiě ),全(quá(🙄)n )面毁坏(🚌)观众的三观!这(🚎)是一部政(🐧)治复仇预(🈁)言,杂(🎡)(zá )揉(róu )讽(😉)(fěng )刺(cì )喜(🥋)剧、生态恐怖(💱)与公(gōng )路电影类型,写下(🆙)澳洲国(👉)族神(shén )话(huà )从(có(💥)ng )未(wèi )被(🐦)纪录的史诗篇章(🛷)。
A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting.
收到(⚾)媽媽從山上寄來(🌂)的蜜(mì(📃) )蘋(pín )果(guǒ ),小(xiǎo )月(💖)計算著(🐐),媽媽已經在外工(🗒)作許久(🤞)了,媽媽的搖(yáo )籃(😷)(lán )曲(qǔ(🍟) )總(zǒng )是在耳邊呼(🚈)喚著。『(😜)你媽多久沒回來了?』(💜)是小(xiǎo )月(yuè )((🐆)13歲(suì ))與(🎈)碧艷(15歲(😂))兩個小女孩(🤘)彼此關心(🏸)的話語。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.