克里斯蒂安贝尔10

一(yī )道高大(⛷)的(🍷)围(wéi )墙两侧(cè )生(👂)活着红族(zú )与绿(🌻)族(zú )两个部落。一(🍖)场罕(hǎn )见的旱灾(🦓)使(🔅)(shǐ )绿族的(de )人民陷(🚏)入窘(jiǒng )迫的境(jì(🧕)ng )地，首领mu 在(zài )一份(🛏)古(gǔ )老竹简的指(😌)引(🍴)下，不惜牺牲一切(🚺)代价(jià )，与红族建(🍔)立合作(zuò )关系，拯(🏼)救本部落(luò )。第二(😣)六五任“mu”在位之际，绿(🌃)族将(jiāng )遭受巨大(🌰)灾难，唯(wéi )有借助(💀)红族力量，方可渡(🤺)过难关。

While on a road trip to a wedding, a young couple is forced to camp out for the night - and become prey to the wilderness, and something even more sinister.

一(yī )场矛(⛑)盾(😀)(dùn )重重的斗羊(yá(🙎)ng )大赛，一次心机四(🏠)(sì )伏的厨(chú )艺比(😥)拼，到(dào )底由谁(shuí(💝) )来(🚣)决定黑山(shān )羊的(🔴)命(mìng )运？

泰国边(🍑)(biān )境，1997年(nián )。

A suicidal girl is forced to fight for her life when she and her friends are kidnapped and left to be hunted in the woods.

中年建(🅰)築(zhù )師遇上(shàng )人(👼)生(📵)瓶頸，在家被(bèi )老(📁)婆嫌棄，公司小(xiǎ(🔌)o )開兔死狗烹。失業(🕎)(yè )的他在曼谷街(⚽)頭(💚)驀(mò )然回首，瞥見(🦒)大象(xiàng )Pop Aye，憶起歡快(🎺)的童年(nián )時光，毅(🙄)然買下大(dà )象，卻(😀)發現都市生(shēng )活(🆕)容(📁)不下他倆，打(dǎ )算(🛷)和老象一路向北(🍮)(běi )返鄉。這趟人與(🤐)象(xiàng )的公路(lù )之(🔙)旅(💍)，途中(zhōng )狀況不(bú(🐫) )斷，所幸萬(wàn )能的(➿)象(xiàng )鼻領著他倆(🎑)(liǎng )，與沿(yán )路風景(🐱)相(🤧)伴(bàn )。《爸(bà )媽不在(🚼)家》導演陳(chén )哲藝(🔗)監製，阿比查(chá )邦(🙊)御用剪接操刀，看(🛌)擅(😋)長冷幽默的才(cá(⛄)i )女導演陳敬音，用(📴)(yòng )象鼻對抗中年(🛹)危機(jī )！將泰國鄉(👰)下的荒(huāng )涼風景(🏪)，轉(💜)變成一(yī )首洋溢(🐵)著淡淡霓虹(hóng )光(💸)芒的自我蛻變之(⛹)(zhī )歌。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.