《嘘!禁止想象》6.

1926年(📬)，在面临个人生活破碎和(🎃)写(🧚)作(🎠)瓶颈危机的情况下(xià )，年(🎲)轻(🕛)(qī(🏪)ng )的阿加(jiā )莎.克里(lǐ )斯蒂(🚟)决(🚣)(jué )定自己(jǐ )去解决(jué )一个(🤩)真(📸)实生活中的谋杀案。

The members of a soccer school team must to solve why some referees fell asleep in the last games.@艾米电(🕋)影(✏)网

不管这导演(yǎn )嗑了什(shí(🏓) )么(♋)很纯(chún )的，全(quán )部都要(yào )给(🕠)你(🐌)来(lái )一(🐬)点！在澳洲(zhōu )这座曾经(😥)被称作(🙈)「无主之地」（Terra Nullius）的(⚪)大陆(🔡)，历(🥞)史以前所未(wèi )见的观(🉐)(guān )点(⛎)重(🌦)新(🐴)(xīn )诠释：当《疯(fēng )狂麦斯(🤠)(sī(🏜) )》末(🛋)日场景成为难民拘留地(🍭)，食(🤯)人(📷)羊成为反殖民叛(pàn )乱份(📜)子(😖)(zǐ )，《沙(shā )漠妖姬(jī )》与电(diàn )视(🌟)剧(🦆)《请喜欢(huān )我》有了跨时空的(🆗)酷(🃏)儿对话……本片以近似DJ取(㊗)样(🍫)混(hún )音之拼(pīn )贴手法(fǎ )，打(🤺)开(💂)(kāi )了虚(🐔)构(gòu )与史实(shí )间的神(🎖)(shén )秘黑(💲)洞(dòng )，大量援引电影名(🔼)场景(🚌)与(📙)历史典故，穿越时(shí )空(🤬)与各(📼)(gè(👫) )种(👂)语境(jìng )，重写(xiě )、改写(xiě(🎫) )、(🙉)乱(🆎)写(xiě )，全面(miàn )毁坏观(guān )众(👄)的(🍸)三(👑)观！这是一部政治复仇预(🚃)言(🍇)，杂揉讽刺喜剧(jù )、生态(tà(🎮)i )恐(🤗)怖与(yǔ )公路电(diàn )影类型(xí(🔦)ng )，写(🚻)下(xià )澳洲国(guó )族神话从未(📐)被(🤜)纪录的史诗篇章。

如果你有(🆒)了(📏)一个不(bú )能说的秘密，你会选(🤙)(xuǎn )择如(⛎)何(hé )保守呢(ne )？目睹(dǔ(🔄) )了一起(🏕)(qǐ )杀人案的小护工墨(📥)墨，和(🔥)绯(🚵)闻缠身的喜剧明星大奎(kuí(😍) )都(🚫)选(🎺)择(zé )了同一(yī )个地方(fā(📶)ng )—(🐩)—(🚳)郊(jiāo )外别墅(shù )。这里(lǐ )是(🌫)墨(👺)墨(🚖)曾经工作过的一户人家(🚹)，当(❤)时主人曾允许她(tā )不时来(🌕)(lá(🕥)i )暂住，碰巧，这家的(de )主人就(jiù(💱) )是(🍻)大奎(kuí )的奶奶。两个无处可(😲)去(🗯)又要保守秘密的人就这样在(👦)(zài )别墅(🎒)里相遇了(le )。为了(le )守住自(⤴)(zì )己的(🥌)秘(mì )密，以(yǐ )防对方(fā(📋)ng )出去(🍘)乱(🕷)说话，两人只好展开了互相(🚬)提(🏨)防(👑)又令人啼笑(xiào )皆非的(de )同(🦗)居(🏀)生(🔳)(shēng )活。二(èr )人在吵(chǎo )吵闹(🤳)闹(⏯)(nà(🎤)o )的相处(chù )中，从最开始的(🍸)相(✅)看生厌，到慢慢发现彼此身(😿)上(➗)的(de )优点，渐生好(hǎo )感。谁(shuí )知(🗂)这(💆)时(shí )，大奎(kuí )的绯闻(wén )女友(🌜)带(💟)着一众记者找了过来，想跟大(🌶)奎坐实(🐾)恋情，不然就不走了(le )。别(♒)墅(shù )被(🆗)各路(lù )媒体记(jì )者包(💔)围(wé(👩)i )了(🏜)，墨(mò )墨十分担心地看向大(🏬)奎(👂)…(🏡)…

藤冈靛在片中饰演引(🚦)发(🕕)(fā(🥓) )奇迹的(de )正体不(bú )明的主(🚨)(zhǔ(🍕) )人(🏴)公拉(lā )乌，尽(jìn )管他的(de )国(📼)籍(👔)与语言不明，但是温暖的笑(🕒)容(🕎)却有种不可思议(yì )的力量(🧡)(lià(👽)ng )，影片(piàn )通过超(chāo )越国籍(jí(🐊) )与(🈷)宗教(jiāo )的年轻(qīng )人们的友情(😦)，自然地(🎾)反应人们的生活。影片(🐛)全篇外(🎗)(wài )景在印度尼西(xī )亚(🔢)苏门(💒)(mé(🥗)n )答腊岛(dǎo )拍摄，用时一(yī )个(🚈)月(👂)。

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.