林(lín )奇(qí )为救身(📺)患绝症(🛑)的女儿,加入了(👮)富豪(🚛)(há(🕠)o )齐(qí )腾(téng )、医学专(👞)家岚若、地质学家(💑)胖子及(☝)雇(gù )佣(yòng )兵(bī(🍉)ng )团等(💂)组(🍃)成的冒险小队,踏上(🔶)了寻(✳)找(zhǎo )“生(shēng )命之果”的旅(🙀)程。在这片危险(🎇)密布(🔛)的(🌒)(de )丛(cóng )林(lín )中,险象接(🤚)踵而(🎟)至,队员接二连三(sān )遇(🍊)(yù )难(nán )身亡,暗处似(📿)乎还潜(🔝)伏着觊觎他们(📅)生(shē(🌟)ng )命(mìng )的(de )凶残猛兽。想要(🧡)逃离的队员和齐藤(🍟)(téng )的(de )关(✴)(guān )系(xì )越发紧(🏹)张,与(🖍)此(🤣)同时,生命之花即(jí(🕓) )将(jiāng )开(kāi )放,神秘猛(🍶)兽的真(🔇)面目也浮出水(👜)面。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'
在(👪)(zà(💪)i )贝(bèi )鲁特一个街角(📻)的咖啡店二楼,有一(yī )面(mià(⭕)n )大(dà )大的转角(🚸)窗和(💇)一(👩)台电视机,一位78岁的(🐺)(de )退(tuì(🥓) )伍(wǔ )将军和一位81岁的(⏪)退伍军医每天早上(🆚)(shàng )都(dō(😓)u )会(huì )在这里碰(🛰)面,看(⏩)着街角车来人往,做(zuò(⬜) )着(zhe )填(tián )字游戏,以此(🔕)对抗阿(🔄)茨海默综合症(📋)(zhèng )。伴(🌚)(bà(💦)n )随(suí )两位老人的玩(😽)笑和字谜,咖啡馆的(🍭)(de )顾(gù )客(😄)(kè )纷纷登场。本(💁)片用(👘)发(🔇)生在一个社会小(xiǎ(🐅)o )角(jiǎo )落(luò )16天之内的一系列(🎏)事件,四两拨千(👰)斤(jī(😵)n )地(🛂)(dì )讨(tǎo )论了人生、(🏑)政治(🐆)、历史等话题;通过(🍪)(guò )单(dān )场(chǎng )景多幕(😹)剧的结(🌁)构让人感受到(👌)老人(🥘)们(men )的(de )孤(gū )独(dú ),以及疾(⏺)病带来的苦涩,同时(⬜)映射(shè(😘) )出(chū )黎(lí )巴嫩(🍷)暴力(🍉)事(🚒)件肆虐的现状。以小(😈)见(jiàn )大(dà ),令(lìng )人回(💂)味。
Norm, the newly crowned polar bear king of the arctic, must save New York City and his home. But Norm goes from hero to villain when he's framed for a crime he didn't commit. He must work with his friends to clear his good name and help save his kingdom in a winner-take-all hockey match
1928年7月(🌚),国民党第十二(🔗)军军(🚃)(jun1 )长(🗳)(zhǎng )孙(sūn )殿英以军事(🎼)演习为名,秘密挖掘了清(qī(🤓)ng )东(dōng )陵(líng )慈禧(🙎)墓和(🈹)乾(🐚)隆墓,盗窃了无数的(🤮)稀(xī(⏲) )世(shì )珍(zhēn )宝,但这些财(🗯)宝下落不明。据民间(🥏)传(🌖)(chuán )说(🍾)(shuō ),孙殿英将部(🍍)分财(📴)宝贿赂给了上司徐(xú(🥫) )源(yuán )泉(quán ),徐源泉便(⛸)将财宝(📹)埋在了自家公(🚤)馆的(🦅)(de )地(🍻)(dì )下(xià )秘室中。文革(🍩)期间,有人在武汉新(✌)洲(zhōu )徐(🎋)(xú )公(gōng )馆附近(💇)挖出(🐣)了(👥)不少枪支军备,结果(🔵)(guǒ )有(yǒu )关(guān )徐公馆藏有巨(🌩)宝的说法不胫(🖨)而走(🏸)。影(🚯)(yǐng )片(piàn )以(yǐ )武汉新(🐍)洲仓(📞)埠古镇徐源泉将军的(🚙)古(gǔ )宅(zhái )及(jí )密道(🏤)为(😎)依托(🎌),首次通过影片(⌛)的形(✨)式向(xiàng )世(shì )人(rén )公开(🚡)此历史文化古迹。考(😻)古专业(🐍)毕(bì )业(yè )生(shē(📫)ng )雪(xuě(🐵) )莹(⬛)跟随考古专家古莫(😳)教授等人进入(rù )徐(🛸)(xú )公(gō(🔽)ng )馆考古,考古队(😅)在古(🔃)宅(🗒)的地下秘道内(nèi )发(🔤)(fā )现(xiàn )一件宝物,宝物在押(⭕)送途中被匪徒(🌟)(tú )抢(🍑)(qiǎ(🐡)ng )走(zǒu ),之后教授等人(🍃)与男(🐄)女神偷、国外文(wén )物(🏫)(wù )团(tuán )伙尤大等人(🥥)激(🐼)烈争(🚰)夺,宝物丢失后(🍚)(hòu ),匪(🚛)(fěi )徒陆续遭受报应,并(😁)出现系列离奇死(sǐ(🔛) )亡(wáng )事(🐛)(shì )件,一场正义(🐗)与邪(✨)恶(🕶)的较量由此开(kāi )始(⬇)(shǐ )......
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.