《母亲3中字》6.

54岁(🚥)(suì(🕘) )的(de )凉子（中山美(měi )穗 饰）是一名(míng )小(🚇)说(👨)家(🍯)(jiā )，一天(tiān )，她突(tū )然被医(yī )生(shēng )诊断(duàn )患(huà(🧞)n )上(💟)了(⤴)(le )阿(🍌)(ā(📄) )兹(🔢)海(🕰)(hǎ(📙)i )默(mò )症，面(miàn )对可怕(pà )的病魔(mó )，凉子(zǐ )决定(🦔)利(🍉)用自己所剩不多的时间，完成她人生中(🌇)的(🐑)最(🍿)后一部小说。在写小说之余，凉子在大学里担(💬)任(🍍)讲(🦐)师(♍)的(👀)职(🏋)务(🎱)，一次下课后，凉子和学生们来到居酒屋小聚(🔸)(jù(🦀) )，在那(nà )里邂(xiè )逅(hòu )了名(míng )为(wéi )昌海（(🚇)金(🌀)材(🔈)昱(yù ) 饰）的(de )韩国留(liú )学生。

在兰若(ruò )寺乱葬(🐏)(zà(🥔)ng )岗(🌧)外(🍪)，女(➖)鬼(🏢)聂(😅)(niè(🚛) )小(xiǎo )烟与(yǔ )女(nǚ )鬼海(hǎi )棠(táng )同为(wéi )树(shù )妖(🗼)空(😲)城(chéng )的手下(xià )，两人(rén )一起为空城服(🌓)务(🍽)，抗(🍑)击(🎈)捉妖师燕南天，并日久生情，约定要互相守护(🌄)对(⏭)方(💧)，不(👺)料(🗼)聂(🔢)小(〰)烟在偶遇书生傅青竹后，这一切都发生了改(🎋)变(🌽)，一场三角恋生死之争愈(yù )演愈烈(liè )。

In a single afternoon a man comes to grips with the power of his past when his estranged family becomes tangled in its web.

该(🦓)片(🚹)(pià(🔞)n )是《海(hǎi )蒂和爷(yé )爷》导(dǎo )演阿兰(lán )•葛斯(sī(🕘) )彭(👉)纳(🚊)最(🏷)(zuì(🦇) )新(🙁)力(🐊)作(⛱)(zuò )，一部(bù )德国版(bǎn )的“饥(jī )饿(è )游戏(xì )”！未(wè(📄)i )来(lái )社会(huì )阶(jiē )级分明(míng )，制度(dù )将菁(🌝)英(🚬)(yī(🕉)ng )与(🎙)弱者划分开来，前者享有富足的生活与保护(🤴)，后(🛬)者(🏢)则(🧐)被(🔻)遣(🐡)送(🎽)到拥挤脏乱的底层地区。为了获得优渥的资(📟)源(🔙)，各类竞争无所不在。札克与娜迪获选参(🔑)加(🎖)顶(🈁)尖(jiān )大学保(bǎo )送资格(gé )的体(tǐ )能(néng )训练营(📔)(yí(😦)ng )，他(💊)们(🛹)(men )除(⛓)了(📢)要(💐)(yà(😽)o )合作完(wán )成各项(xiàng )任务，还得在(zài )个人表(biǎ(🕺)o )现上拔(bá )得(dé )头筹(chóu )。相较(jiào )遵(zūn )守游(🎴)(yó(😣)u )戏(😶)(xì(🌌) )规则的(de )娜迪，向 往自(zì )由的札克开始质疑制(👌)度(🕡)，两(🍃)人(🌇)的(🐌)摩(♟)擦(🦓)逐渐升高：一本失踪日记、一起意外命案(💝)，不(🔗)仅改变他们的命运，也揭开扭曲体制下(🈹)的(😬)私(👞)欲与谎言。

十多岁的米特拉是(shì )一位雄(xióng )心(🔘)勃(🚓)勃(🛣)(bó(💊) )的(🥨)艺(🛣)(yì(👤) )术(shù )家，她(tā )正在完(wán )成自己(jǐ )的梦想(xiǎng )作品(🍼)，也就是(shì )拍摄一(yī )部关于(yú )埃及传(chuá(⬅)n )奇(🦊)(qí(🎻) )歌手(shǒu )及(jí )女星(xīng )乌(wū )姆·库(kù )勒苏姆(mǔ )的(⏩)电(🖖)影(♟)(yǐ(🧥)ng )。然(🏐)而(🛴)(é(😸)r )，为了更真实地刻画乌姆作为一个神话、一(🏣)个(📜)女人和一位艺术家的本质，米特拉把家(😓)庭(🏄)放(🔂)在了事业之后，她自己的人生斗争与乌姆的(🚩)融(🧀)合(📲)在(📗)一(🍁)起(➗)，使(➖)她在情(qíng )感和艺(yì )术上面(miàn )临崩(bēng )溃(kuì )。

Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.