夜关门欲望之花9.

明朝有一(🏏)(yī )个神秘的(🔶)组织—(⤵)—玄衣(yī )卫(🌿)，专(zhuān )门破获(😽)各种离(📉)奇事(shì )件，组员包括苗(miá(🚍)o )疆传人(🐀)(rén )、萨满(mǎn )后裔等(😈)超自(🔹)然界高(🤗)(gāo )手。故(📴)事(shì )讲述了(🏦)(le )玄衣卫(wèi )被(㊗)奸人(ré(🛒)n )陷害的几年(🛁)后，邪恶组织(🔠)过(guò )阴(💥)堂日(rì )益猖狂(kuáng )，皇城(ché(😏)ng )神枢营(😧)侍卫数月内多次无故(gù(🍆) )失踪。皇(👀)帝大(dà )怒，特(tè )命玉(💞)麒麟彻(chè )查(🚠)办此事(🤓)。家国(guó )安危(🎵)之(zhī )下，前(qiá(🥓)n )玄衣卫(🗯)指挥使高建(🛃)(jiàn )斌只身打(💰)探，在(zà(🍖)i )北镇抚(fǔ )司大战(zhàn )黑衣(🎓)杀手，更(🌽)是引(yǐn )出了背后更(🏄)大的(🎨)(de )阴谋…(📰)…

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'

11月7日(🧝)(rì )郑中基接(🍺)受某杂志(zhì(🍉) )访问时(🕠)，就亲自(zì )确(🛴)认将(jiāng )开拍(🥥)《龙咁威(🤽)3》，而且更会与谷德(dé )昭联(🌄)手(shǒu )执(🍐)导，早前谷(gǔ )导参与了本(🍿)地Rapper组合(🐆)廿四味的(de )清谈节(jiē(🎂) )目，也(yě )于节(👾)目(mù )上(🚤)大谈他的(de )导(🤲)演之路，亦于(🛒)(yú )节目(🚭)尾(wěi )段大爆(⛳)(bào )有意开拍(🕍)第三集(🔆)！郑中基助手回应(yīng )传媒(🦆)时(shí )称(🍅)，本(běn )来是打算今年(🌏)年中(zhōng )开拍(🕐)，然后19年(㊗)贺(hè )岁档上(♎)(shàng )演。而(ér )演(🗿)员更会(💞)全部归位(wè(🏺)i )，包括会有第(👢)一(yī )集(🤜)的演(yǎn )员李璨(càn )琛、张(🦐)达明及(📶)邓丽欣！不过(guò )现在可(kě(🛁) )能要改(😭)(gǎi )为明(👩)年(nián )年中才(🕘)开拍，希望能(🥊)在20年上(🌳)(shàng )贺岁档(dà(🥕)ng )！

Three terrifying tales to keep you awake all night: ‘Night of the Sea Monkey’, ‘Lamb Feed’ and ‘(⌛)Homewrecked’ – a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.

讲(⤴)述一(yī )名退休的杀手，无(📊)奈之(zhī(🌖) )下只能(néng )重操旧业，用上(😼)以(yǐ )往(🦒)的杀戮技能，跟曾经(🌍)(jīng )的雇主(zhǔ(🥓) )大战一(🐼)场...

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.