Suchmos于(🐷)2016年(nián )10月28日在惠(🐀)(huì )比寿LIQUIDROOM的(de )演出(👪)。收(shōu )录(🏪)于二专THE KIDS的DVD中。
一(😾)位亿万(wàn )富翁(🐮)探(tàn )险(🧟)家将一(yī )艘单(🚡)人潜水艇带(dài )到海洋(🦄)深(shēn )处的“午夜(🍣)”地(dì )带(🐷),寻找(zhǎo )难以捉(❣)(zhuō )摸的巨型(xí(😀)ng )鱿鱼,但(💜)发现了(le )一个更(🌁)小(xiǎo )更致命的(📣)掠食者(🏴)(zhě )。
Leon is in his mid-twenties and terminally ill. He invents a technology that allows him to computerize his mind and live forever. This technology will be the downfall of mankind, so freedom fighter Aqua travels back from the future to kill him.
馬賊入村劫(⚾)掠(luě ),九歲男(ná(💔)n )孩從此(🖐)失去母親(qīn )。親(🥂)戚接(jiē(🖕) )他到異(yì )鄉居(🏥)住,新生活真的(🌶)在前(qiá(🚷)n )面等着驚(jīng )魂(🏀)未定的他?遠(🍮)(yuǎn )山連(👓) 綿,林徑迂(yū )迴(👀),故事(shì )彷彿於(🙇)路的盡(⏳)頭(tóu )開始了,無(🔪)緣無(wú )故在轉(🏰)角(jiǎo )暫(🤒)時消失,拐了(le )一(🐎)個彎又(🗞)(yòu )重現。夢境和(🛥)現(xiàn )實界線變(🐆)(biàn )得模(🔺)糊(hú )之際,男(ná(🤦)n )孩所能緊緊擁(🍻)抱(bào )的(🕳),只是(shì )亡母告(📰)訴過他的(de )神話(🕌)故事,關(📿)於(yú )受詛咒的(🍗)(de )憤怒復(🚓)仇之神馬(mǎ )勇(💒),關於(yú )不知不(🧣)(bú )覺間(🔍)緩慢(màn )而實在(🏹)的成長。佩舒彭(💚)德(dé )拉(🚂)辛格的第二部(👯)(bù )作品,處處閃(😨)現(xiàn )薩(🐼)耶哲雷(léi )、杜(📯)魯福和域陀(tuó(🥩) )艾里斯(🧐)的(de )光影風(fēng )格(🔷),滲透(tò(👥)u )在黑白之間,純(❕)(chún )粹的美,複合(🖖)的痛。
Aji Mathew, a lovable courageous and modest youngster, who hails from Pala. He meets an NRI girl Sara in his college, they fall in love regardless of their upbringing. Their moments of love did endure less, so does his happiness.
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?