《不良男女》1.

The Prairie Kings hockey team fight for the league championship and for their lives all in one night.

17歲(🚕)的(🚆)莎(🍰)(shā(👴) )拉(🎧)全(🕎)心(🉑)投(🔃)(tó(📏)u )入(🧕)學(🈹)(xué(🐄) )校(🧡)的(🙄)戲(👊)劇排練(liàn )，赤裸地體驗舞台上(shàng )和生(shēng )活中的暴(bà(🌬)o )力(🌩)。當她試圖(tú )揭露深藏心中的醜陋(lòu )秘密(mì )，高聲呼(hū )喊卻孤立無援(yuán )，於是在莎士(shì )比亞和華格納的經典(diǎn )劇目(mù )中尋找寄(jì )託，她想握(💰)有(📘)(yǒ(🎱)u )茱(🦅)麗(🎣)葉(🕔)的(🏫)匕(🛳)首，想跟(gēn )隨伊(yī )索德的腳(jiǎo )步殉(xùn )情而去，當她站(💌)上(👺)舞(➗)台(🏝)(tá(📬)i )，她(🥔)是(🌓)否(😿)能(💿)對(📍)世(😨)界(🖋)展(🌯)(zhǎ(🦉)n )開(🏯)反(🤘)(fǎ(🐏)n )擊，扮演(yǎn )的界線究(jiū )竟在(zài )哪裡？

法国《电影手册》2018年(⏱)度期待(dài )榜单(dān )重点推荐(jiàn )影片之一，影(yǐng )片采用16mm胶片拍摄，具(jù )有极(jí )致的迷幻(huàn )色彩，影像超(chāo )级大胆，故事(shì )讲述5个热爱艺术的“野小(xiǎ(😹)o )子(😽)”的(💚)罪(🎼)(zuì(😎) )恶(🍆)之(🕹)行，让人(rén )想到库布里克的《发(fā )条橙(chéng )》，而这(zhè )5位“野小(🧗)子(⬅)”则(🚽)正(🆎)由(🤐)5位(➖)女(💲)演(🤖)(yǎ(🛳)n )员(🌞)“扮(👱)演(🍲)”，涉(🎩)及(🚍)到(🧐)(dà(🐡)o )了不(bú )少情色元(yuán )素，探讨(tǎo )了性(xìng )别结构。

人據(jù )說(🍫)一生最多有十萬條(tiáo )頭髮(fà )，每一條(tiáo )頭髮質感長度(dù )有異，但都承載著煩(fán )惱的(de )回憶。「時光理髮」剪(jiǎn )掉的不只是頭(tóu )髮，還有街坊不快(🥩)的(♐)(de )記(🥄)憶(🌉)(yì(🤹) )。行(🦒)將(🍸)式(shì )微的舊式(shì )廣東(dōng )理髮店店主海泉叔指(zhǐ )望兒(📔)(é(💶)r )子(😛)長(🍟)發(🔘)繼(🚐)(jì(🌚) )承(🐓)衣(🐡)(yī(😏) )缽(💱)，不(🐢)過(✨)(guò(🦋) )兒(🚮)子(🔶)卻更想當(dāng )文青，希望透過文字(zì )和音(yīn )樂改變世(shì(🏍) )界。一次意外(wài )，長發被迫代(dài )父親落場當師傅，透(tòu )過理(lǐ )髮為街坊(fāng )排憂解難，更(gèng )與離家出走少女相遇(yù )相知(zhī )，重新反(fǎn )思自己的前路(🥞)(lù(😣) )。傳(🐲)統(🔽)理(🌧)髮(🤾)店(♋)(diàn )交織舊區鄰里人情，《點(diǎn )五步》男(nán )角岑珈其(qí )化身(🥤)(shē(⛹)n )理(🏴)髮(㊙)店(🦖)傳(👵)人(🧒)，演(✖)出(🚴)清(😶)新(🥑)自(🤺)然(🥪)。

辉(🔵)煌(🎒)(huá(💈)ng )的吉(jí )檀迦利家(jiā )族只剩下公主(zhǔ )一个人，当了“女王(💚)(wáng )”的(de )她与权力(lì )至上的政客发(fā )生矛盾，不知(zhī )道如何面对以后的种(zhǒng )种问(wèn )题。还好(hǎo )先王最信任的(de )贴身保镖巴瓦尼在女(nǚ )王左(zuǒ )右协(🅿)助(🌅)她(🍰)(tā(🐺) )打(🆘)理(🕖)一(🗓)切，慢(màn )慢的女王与忠(zhōng )诚的巴瓦尼走得越来(lái )越近(🔰)(jì(🐸)n )。

Separated from his family and caught in a cycle of gambling and debt, Jim has less than a day to repay a violent loan shark. His day is turned upside down when he must look after his young. Jim's relationship with his son is tested as his plans to pay back the loan fail. When his last desperate effort to repay the debt puts his son's life at risk, he must make a choice between his past and a second chance at life.