Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
一对情侣(😌)外(🥄)出(📃)(chū )度假,入住(zhù )豪宅,然而(ér ),当他(🥄)们半夜(yè(🌹) )醒(😐)来,却发(fā )现自己躺在(zài )一个处(🎢)处(🎗)充斥(chì )着(🎵)恐(📬)怖氛围(wéi )的荒弃诡宅(🎓)中……他(🏾)们(🐨)意(🎵)(yì )欲逃离,然(rán )而却始终逃不出(🍩)去,努力(lì(🗑) )奔(📙)逃,但逃(táo )往的地点却还(hái )是这(😇)所(🍲)诡异(yì )的(🙍)荒(🍖)宅……更恐怖的是,当他们再度(🍇)(dù(🥏) )回到这座(🍢)诡(guǐ )宅,却发现,时间跟他(🍌)们(men )走出去(🌊)的(🎢)时(🕰)(shí )间,一样……
Three terrifying tales to keep you awake all night: ‘Night of the Sea Monkey’, ‘Lamb Feed’ and ‘Homewrecked’ –(🏊) a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
栗子致(zhì(🌋) )力(📰)于研究记忆(yì )交换技术,男友钟(🎍)瀚(💈)非(fēi )常支(🧔)持(⏩)。科学(xué )家白堂武秘(mì(⛴) )密研究克(💖)隆(💎)人(🕋),却只能(🥫)搞(gǎo )出没有灵魂(hún )的空(😝)壳,他意识(🎃)到(💕)记忆交(jiāo )换技术是他(tā )最需要(🖐)的(♎)。但栗子不(🕦)愿(♟)与(yǔ )白堂武合作(zuò )。白堂武将钟(🍖)(zhō(🎓)ng )瀚变成“白(⏹)(bái )痴”骗栗子(zǐ )帮钟瀚恢(💜)复情(qíng )感(👍)。钟(🍊)瀚(🌅)突(tū )然成了绑架(jià )反克隆人专(🍨)家(jiā )刘大(🌥)明(📗)的嫌(xián )疑犯。栗子(zǐ )试图帮钟瀚(🤝)洗(🐇)(xǐ )冤,竟在(🎺)自(🐕)(zì )家发现刘大(dà )明尸体。白堂(tá(🐻)ng )武(😏)提(😸)出克隆(🔜)(lóng )刘大明并植(zhí )入记忆(🏒)。栗子(zǐ )勉(👓)强(📿)答应。栗子潜入白堂武实验室发(fā(💷) )现:真正(🤒)的(📌)(de )钟瀚已死,现在的钟瀚是(shì )白堂(🗨)武(🗻)的克(kè )隆(📔)人。白堂武(wǔ )利用记忆交(🕸)(jiāo )换技术(🥏)批(🤥)量(🌪)(liàng )生产克隆人杀(shā )手。栗子和(hé(🤓) )钟瀚一起(😪)捣(🌬)(dǎo )毁白堂武实验(yàn )室。两人逃(tá(🚽)o )亡(💩)之际,钟(zhō(😦)ng )瀚(🚅)却将自己锁(suǒ )在里面,随(suí )实验(🔪)室(😊)一(🈹)起(qǐ )毁(➕)灭。数周后(hòu )栗子发现自(🚽)(zì )己怀上(😇)钟(🎅)瀚(hàn )的孩子,这让(ràng )她坚强地面(mià(❄)n )对未来。
都(🏭)说(🎗)男人一有钱(qián )就变坏,女(nǚ )人一(🚢)变(🚰)坏就有钱(🍽),这句话(huà )用在张宝文(wé(🥝)n )和他的秘(📣)书(💙)身(🥩)(shēn )上绝对合适(shì )。张宝文原(yuán )本(♎)有一个非(🐎)常(🥙)(cháng )好的前程和(hé )家庭,但是(shì )他(🚚)却(🌄)不珍惜,与(📥)自(🈹)己的秘(mì )书走到了一(yī )起。这一(🦏)段(😑)办(🚴)(bàn )公室(🏠)的恋情(qíng )导致了张宝(bǎ(🦏)o )文在事业(🧟)上(👳)和(hé )家庭上彻底(dǐ )破碎。秘书(shū )的(👰)贪婪最终(🗿)落(💙)(luò )到过街老鼠(shǔ )人人喊打的地(🤩)步(👥)。当张宝(bǎ(🥎)o )文重新回归(guī )家庭的时(🔙)候,一个熟(🥡)悉(🏓)的(🛰)(de )面孔站在了(le )门口挡住了他(tā )的(🚤)视线。
《梦想(🤰)之(🔰)城》是一部现实主(zhǔ )义题材的创(🏂)(chuà(🖥)ng )业电影。影(❔)(yǐ(💤)ng )片展现了佛山(shān )作为改革开(kā(🥋)i )放(🌖)前(🤔)沿阵地(🦓)(dì ),40年来所取得(dé )的巨大(🏭)成就(jiù )和(🐦)显(♉)著变化(huà )。故事通过描(miáo )写在风云(🍘)激(jī )荡的(🕊)改(❌)革开(kāi )放大潮中,祖(zǔ )辈生活在(😝)佛(👗)(fó )山的阿(🎨)宽(保剑锋饰)与(yǔ )外(🏕)来追梦者(🐭)(zhě(😏) )北(🍎)北(金巧巧饰)等人在(zài )奋斗(❤)创业路(lù(🍆) )上(🚖)的不同经历(lì )、际遇和人(rén )生(🔮)抉(🆘)择,展(zhǎn )现(💶)出(🤪)佛山人“敢为人先、崇文务实、(🎷)通(🕯)济(😺)和谐”的(⛏)(de )性格气质和(hé )城市精神(🏑)。
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