從高(🚙)峰滑落(📃)(luò )谷底,比(bǐ )從未風光過(guò )更難(🧜)受?前曼(mà(〰)n )聯球星(📳)簡東拿變(biàn )身潦(liáo )倒過氣藝術(🏏)家尤(🥏)利西(xī(⛳) ),那種時(😮)(shí )不我與的虛(xū )空落寞盡(jìn )在(🍄)眉(mé(🏠)i )宇間。藝(🌐)術學生(💷)(shēng )蒙娜(nà )欲拜他為師,反(🙋)過來(lá(🅱)i )成了(🌘)他重(chó(😇)ng )生的希(💯)望。發現身患(huàn )絕症(zhèng )後(🖲),他由蒙(🆖)娜作(🍽)(zuò )伴,走(📒)出隱居(👜)大宅,尋訪(fǎng )當年被他(tā(🥪) )離棄(qì(🕚) )的弟(🦋)弟及妻(📶)兒,坦白(bái )致歉望求寬恕。感性(xì(🔤)ng )而不感(🕕)傷(shā(🥘)ng ),碧巴達(📁)以(yǐ )不慍不火(huǒ )的圓(yuán )熟技巧(🆚)呈現破碎(suì(🧣) )人生(shē(🚒)ng )的悲喜,冷不防遇上(shàng )慌失失劫(🌠)(jié )匪(✍)來個黑(🆔)色(sè )幽(🆘)默,也(yě )未忘(wàng )留下孩子(🥍)的善良(🥋)(liáng ),溫(🎆)(wēn )潤人(💢)間。
又到(🗣)了年末(mò ),阿呆和(hé )阿瓜(🍶)像所有(🤜)人一(🦉)样,开始(🌜)(shǐ )为圣(💥)诞节及新年PARTY做准(zhǔn )备,但(🧦)是,作为(🈳)这个(🚖)(gè )世界(🔼)上动(dòng )手能(néng )力最强的小发明(🙇)(míng )家,怎(🍤)么能(💹)跟普通(🦌)人一样(yàng )来装扮自(zì )己的院子(🦐)和(hé )房子呢(💡)?于是(🏾)(shì ),两个好朋友开(kāi )动脑(nǎo )筋,对(🎭)自己(🎀)的家展(🆓)开(kāi )了(👽)不一样(yàng )的改造,当(dāng )然(💑),他们(men )也(🌲)没(mé(🛐)i )有忘记(🎷)帮自己(🛣)的(de )好朋(péng )友选一件“最好(🚿)的礼(lǐ(🏡) )物”。
这(🈯)(zhè )部电(🎼)影以著(🐦)名作家兼(jiān )记者(zhě )Mintu Gurusariya的自(🧐)传Dakkuan da Munda为基(🌫)础。当(🌛)他(tā )是(⛰)一名年轻的卡巴迪(dí )球员时,Mintu成(😎)为(wéi )吸(🤽)毒成(😋)瘾者。接(🕚)(jiē )触毒(dú )品也将他引入犯罪市(🙁)(shì )场。但今(jī(🚀)n )天,他成(📸)了(le )年轻人及(jí )其家(jiā )人的灵感(😻),因为(😤)(wéi )他设(🍦)(shè )法摆(🎊)脱了他的束缚,打破了他(💫)(tā )与毒(🚽)品和(➰)犯(fàn )罪(💏)的关系(👆)(xì )。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
都(dōu )说男人一有钱就(🔳)(jiù )变坏(📲)(huài ),女(💬)人一变(🗻)坏就有(🐂)钱(qián ),这句话(huà )用在张宝(⛲)文和他(💰)的秘(🍻)(mì )书身(⏫)(shēn )上绝对合适。张宝文(wén )原本有(👜)一(yī )个(⚡)非常(🥜)好的(de )前(🔺)程和家(jiā )庭,但是他却不珍惜(xī(🤸) ),与(yǔ )自己的(🌷)秘书走(🌃)到了一(yī )起。这一(yī )段办公室的(🐟)(de )恋情(🕹)导致(zhì(😘) )了张(zhā(➖)ng )宝文在事业上和(hé )家庭(tíng )上彻(😱)底破(🔌)碎。秘书(💷)的(de )贪婪(🖕)最终(zhōng )落到过街老(lǎo )鼠(🥦)人人喊(🐃)(hǎn )打(🎪)的(de )地步(📪)。当张宝(🐖)文(wén )重新(xīn )回归家庭的(⏫)时候,一(❤)(yī )个(🎳)熟悉的(🦗)(de )面孔站在了门口挡住(zhù )了他(tā(🥌) )的视线(👲)。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
Three men struggle to save their relationship while traveling across country in search of a doctor they believe will make one of them well.
The story of life of a woman Mehri who unintentionally enters into an unknown problem and is searching for a solution for that.