线路三
无简介简介
《杀手卡利》是一(🔄)部(🐑)(bù )拍摄于2016年的小成(📀)本犯(🥂)罪(🍶)题(tí )材电(diàn )影，由《美国重案(🦐)》的理(lǐ )查德·卡布莱与《火(😜)(huǒ )线警(💔)(jǐng )探》的瑞恩·多西(🧟)联(💏)(lián )合(💔)主(zhǔ )演。
In order to discover the truth about his brother's disappearance, a young man returns to his hometown to find answers.
林可(kě )馨，杂(📖)志(🏊)社(shè )白领(lǐng )，正打算(🥪)(suàn )从(🛁)(có(🚻)ng )繁忙工作(zuò )中回(huí(👗) )归家(🚋)庭(🍙)生(shēng )活之时，却(què )遭遇(yù )婚(🥔)姻与事(shì )业双重麻烦(fán )，丈(🏥)(zhà(📰)ng )夫与(🥩)其他女性的暧昧(mè(🥝)i )、(🛰)上(shà(🚅)ng )司的自由观灌输、(💫)暖(🤢)男作(zuò )家秦皓的闯(🔗)入，稳(🐪)定(📞)的生(shēng )活受到各种抉择，经(🤷)历各(gè )种打(dǎ )击之后，柔弱(🐻)的林可(🌶)(kě )馨选(xuǎn )择了勇敢(🖍)面(💰)对。
Aji Mathew, a lovable courageous and modest youngster, who hails from Pala. He meets an NRI girl Sara in his college, they fall in love regardless of their upbringing. Their moments of love did endure less, so does his happiness.
撤(🍋)离(lí )广州(zhōu )的影室(💯)，通(👉)过日军的(de )动向(xiàng )，发(💮)现了(🌨)(le )一(🉑)支神秘的(de )抗日(rì )力(📠)量已身(🌜)(shēn )陷(xiàn )重围，民(mín )族家(jiā )国(🌕)的责任(rèn )感驱使他们(men )去查(🈂)(chá(💤) )明真(🥏)相伺(sì )机营救。在(zà(🙁)i )民(❣)族(zú )大义的面前，英雄从(🐮)(có(😵)ng )来都(dōu )不孤独，相互(🙌)间舍(🎋)命(🎂)救援(yuán )，默契中同仇敌忾，抗(🌦)日(rì )救国，舍我其谁？
撤离(🕯)广(guǎng )州(😌)的(de )影室，通过日军的(📟)动(🛷)(dòng )向(🍢)，发现了一支神秘的(😹)抗(💪)(kàng )日力(lì )量已身陷(🔧)重围(🎑)，民(🍓)族(zú )家国(guó )的责任(🧥)感(gǎn )驱(🗒)使他们去(qù )查明(míng )真相伺(🐔)机(jī )营(yíng )救。在民(mín )族大(dà(☝) )义(🤾)的面(🏾)前(qián )，英雄从来(lái )都(😱)不(🕦)(bú )孤独，相(xiàng )互间舍命救(👿)(jiù(🎪) )援，默契中同仇敌忾(👽)，抗(kà(🔰)ng )日(🏎)救(jiù )国，舍我其谁？
《四个春(🔂)(chūn )天》是一部以真实家庭生(🐔)(shēng )活为(👯)背景的纪录片。15岁离(🎰)(lí(🐰) )家，在(🚃)异乡漂泊多年的导(👘)(dǎ(😨)o )演以(yǐ )自己南方小(🍩)城里(🦁)的(📍)父(fù )母为(wéi )主角，在(🐵)四年光(🌂)阴里(lǐ )，以(yǐ )一己之力(lì )记(🔸)录了他(🍠)们(men )的美(měi )丽日常。在(😁)(zà(🤶)i )如诗(🛩)的乐(lè )活慢(màn )生活(🤓)图(🤕)景(jǐng )中，影像缓(huǎn )缓雕(diā(🍹)o )刻(🍝)出一个(gè )幸福家庭(🔫)近(jì(🆗)n )二(🏮)十(shí )年的温柔变迁，以及(jí(📀) )他们(men )如何以自己的方式面(📣)对流(liú(🛑) )转的时间、人生的(🚎)得(🔵)失起(📚)(qǐ )落。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.