《罗龙镇女人》7.

本片来自(😴)新片(piàn )场创作人(🌁)吴晋(jìn )超，他担任(🏧)这(zhè(🐏) )部影片的导(🔭)演、(👒)编剧、美术(🧓)以及剪辑。出品(pǐ(📯)n )方为BITONE。

Mowgli who is in search of the legendary creature, the Giant Claw. Along the way, he discovers the evil plan of Shere Khan and must race against time to stop it to save a friend.

妻子失(shī )踪，丈夫(🤝)（孙(sūn )正宇）寻(👄)找妻(qī )子多年，却(⏮)意(yì )外的卷入了(🏦)一宗刑事案件，孙(🏝)在寻找妻子的(de )过(🚦)程里(⏹)发现了(le )一个(😺)贩卖人体(tǐ )器官(🌃)的（日本(běn )）组(🦏)织并(😝)深入(rù )调查，自己(🔕)却身陷重围，最后(🌉)(hòu )协助追捕自己(🐙)(jǐ )的警官刘武火(🔩)(huǒ )击败犯罪分子(🌔)(zǐ )并(🌋)救一个面临(👧)(lín )死(🙎)亡的小女孩(♊)儿……

因流感感(👞)染的死者突然(rán )复活(🏻)，变成丧(sàng )尸开始(💪)疯狂撕(sī )咬活人(😔)，被咬(yǎo )后的活人(🛵)纷纷(fēn )变成丧尸(👆)，一场末日丧尸之(🐟)战自(🕉)此开始...

在风(📏)(fēng )景秀丽的太平(🥄)(píng )湖，在此写作(zuò(🚦) )的作(🎶)家周楚寒(hán )和来(🐟)旅游的江(jiāng )颜在(🙁)此相遇，因为不经(👈)意的碰(pèng )撞，相互(⛷)之间(jiān )那颗驿动(🚨)的心(🔷)(xīn )变得跳动(🐒)起来(🕟)(lái )，虽然素不(🔑)相(xiàng )识，却迷失在(🧐)太平湖和群山之中，真(🙏)实而虚(xū )幻，浪漫(😴)而激(jī )情。 旅游结(🏆)束(shù )，江颜回到现(🏾)(xiàn )实生活中，但(dà(🤷)n )没有想到在城市(💖)中又(🦂)遇到周楚寒(🐸)，一场情感(gǎn )纠葛(📊)就此开始(shǐ )，江颜(🗽)在周(🎨)的(de )追逐之下，慢(mà(🍆)n )慢的松动了自(zì(🍲) )己情感的堤坝，由(👷)拒绝慢慢爱(ài )上(🆕)了周楚寒，江颜为(😊)了爱(👬)放(fàng )弃一切(🐺)，本以(🗞)(yǐ )为和她一(🍬)样勇(yǒng )敢的周楚(🦖)寒，苦于压力，最终选择(🥒)了在痛苦(kǔ )中逃(📗)避…… 几(jǐ )个月(🐴)之后，江(jiāng )颜碰到(🚶)了周楚(chǔ )寒一家(🌬)聚餐的(de )情景，感慨(👳)万分(📴)，最后她来到(🌏)了太平湖，当(dāng )时(❗)他们相遇的(de )地方(⛽)，情感(👚)再(zài )也控制不住(🏐)痛(tòng )哭流泪。爱情(🏯)(qíng )开始的地方又(🐪)成了结束的地方(🚕)(fāng )。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

该片是《海(hǎi )蒂(📽)和爷(🆚)爷》导(dǎo )演阿(🐸)兰•(🎢)葛斯(sī )彭纳(🛬)最新力作(zuò )，一部(🦎)德国版的“饥饿游戏”！未(🏼)来社会阶(jiē )级分(🥘)明，制度(dù )将菁英(💠)与弱者(zhě )划分开(🍆)来，前(qián )者享有富(🈷)足的(de )生活与保护(🀄)，后者(🚑)则被遣送到(🚈)拥挤(🍿)脏乱的底(dǐ(🚷) )层地区。为了(le )获得(⚓)优渥(🚎)的资(zī )源，各类竞(🍄)争(zhēng )无所不在。札(📒)(zhá )克与娜迪获选(🛥)参加顶尖大学保(🌓)(bǎo )送资格的体能(💠)(néng )训(🐛)练营，他们(men )除(🌧)了要(😶)合作完(wán )成(👃)各项任务，还得在(🅿)个人表现上拔得头筹(🔖)。相较遵守游戏(xì(🕎) )规则的娜迪，向 往(❔)自由的札(zhá )克开(🌋)始质疑制(zhì )度，两(📰)人的摩(mó )擦逐渐(🐙)升高(🏏)：一本失踪(⚫)日记(🐸)、一起意外(🖤)命案(àn )，不仅改变(🈷)他(tā(🏗) )们的命运，也(yě )揭(🌽)开扭曲体制(zhì )下(🖨)的私欲与谎(huǎng )言(👜)。

2017“CCTV网络春晚”将现代(🤼)人的(de )互联网新生(🥣)活(huó )搬上了荧屏(💞)，并借(🔥)助高新科(kē(🌏) )技应用“连接(jiē )”台(🚺)前幕后、线上线下的(🐻)所有人群，为观众(🧣)(zhòng )“送年货，送(sòng )祝(🈲)福”。在舞(wǔ )台设计(🚰)上，多(duō )部手机屏(🌗)成就(jiù )了舞台大(🦄)屏的(🏟)炫目感觉，360度(🦈)全景(🦆)视觉空间体(🕓)(tǐ )系完成了最广(🗽)(guǎng )阔的视觉效果(guǒ )；(🕯)在节目环节(jiē )上(🐥)，网络春晚(wǎn )开启(🎽)了“实时欢唱”的直(🙁)播互(hù )动环节，歌(🖥)手(shǒu )大张伟通过(⛷)云(yú(🌧)n )视频技术与(🆓)杭(háng )州东站的旅(🐉)客(kè )直播连线，明星通(🆘)过直播技术实现(🐇)了与粉丝(sī )的实(😫)时互动。