手足情深1.

ユミは夫と娘(niáng )の(🎮)３(🖕)人(rén )暮(mù )らし。近々引っ(😊)越しを考え(🎄)て(🤧)いる。ユミ(🚬)は(💿)娘のレイナ(⚾)が(🍫)時折うわ言(yán )を発する(🏍)ことが、少々気にかか(👢)っ(🏡)ていた。転居(🏘)(jū )の報告も(🏰)兼ねて友人(🏌)ヒ(🔯)ロミと久々(📜)に再(zài )会す(📪)る(✡)ユミ。話題はいつしか「(🐎)あの日(rì )」(🕌)のことに。「(💫)私(🏄)たちが埋め(🚒)た時(shí )、本(🗻)当に死(sǐ )ん(🔫)で(💃)たのかな？」。ユミは「(🏿)あ(🏸)の日」のことを清算す(🥒)べく、サエ(🕺)、(📆)アコにも(🕙)再(💝)会(huì )を決意(🍳)し(🙄)、廃墟のような家(jiā )に(🥩)一人(rén )で住むサエに会(😠)い(🤷)に行く。サエ(🌩)は、見知(zhī(💑) )らぬ少女が(🎱)現(🍒)れて娘だと(📿)言って聞か(😬)ず(💂)、しばらく一緒に暮ら(😳)していたが死んだこと(🌡)、(🍄)そして少女(🥅)は死んだま(🈺)まその家の(🎥)３(👃)階に寝かされていると(📔)い(⛺)うことを話し出(chū )す。(C)「(🧓)黄泉がえる(🥇)少女」製作(🏤)委(🗓)(wěi )員(yuán )会

《驴(🍱)(lǘ(🐍) )为(wéi )媒》故事发生在当下(👫)鲁西(xī )大地上(shàng )的(de )聊城(🆚)市(🍬)，讲述的是在京打拼多年(🚻)(nián )的(de )有志(zhì(🕣) )青(♊)(qīng )年，得知老(🏄)家惠民政策(🌦)后(⚫)，回乡养(yǎng )驴(lǘ )、带(dài )领(📚)(lǐng )村民脱贫致富，实现自(🎽)己(🥙)创业梦(mèng )，并(🉐)赢得爱情的(♟)故事;讲述了(🍇)党(💥)的精(jīng )准(zhǔn )扶贫政(zhèng )策(🔟)(cè(🧝) )和乡村振兴战略在齐鲁(✌)大地的生(shē(🎫)ng )动(dòng )实践(jià(🚏)n )，展(⏪)现了基层党(🛸)员(➰)干部在全面建成(chéng )小(xiǎ(🤚)o )康社会(huì )进(jìn )程中的“主(🤩)心(🚎)骨”形象。电影《驴(lǘ )为媒》坚(🧗)持“小成本、(🥣)大(👑)情怀、正(zhè(💀)ng )能量(liàng )”的创(🚊)作(📑)宗旨，紧扣当前乡村振兴(🙋)和(hé )精(jīng )准扶(fú )贫(pín )主(✂)题(🐝)，将社会效益(🦐)、价值引领(🍖)放(fàng )在(zài )首(🔗)位(🐂)，引导人们努力实现个人(🙆)前(🐯)(qián )途(tú )与国家(jiā )命(mìng )运(🈴)、个体经历(🎖)与时代大潮(🚝)、(👈)个体(tǐ )情(qí(✴)ng )感(❌)与(yǔ )国(guó )家情感的同(📆)频(🤓)共振，激励人们向(xiàng )上(shà(🗝)ng )向(〰)善，自(zì )觉践行社会主义(🍭)核心价值(zhí(🌾) )观(💆)，讴(ōu )歌(gē )党(🌥)、讴歌人民(⏮)、(😙)讴歌新时代。

《梦(mèng )想之(zhī(🎃) )城(chéng )》是一部现实主义题(😇)材(✊)的创业电影(🚲)(yǐng )。影片(piàn )展(💟)(zhǎn )现了佛山(🈚)作(🔚)为改革开放前沿阵地(dì(😱) )，40年(⌛)来所取得的巨大成就和(💖)显著变(biàn )化(🎙)(huà )。故事(shì )通(🍶)(tō(🆘)ng )过描写在风(🈷)云(🍵)激荡的改革开放大(dà(💼) )潮(✈)(cháo )中，祖(zǔ )辈生活在佛山(🐅)的(⚡)阿宽（保剑锋饰(shì )）与(🚓)外来(lái )追(zhuī(♌) )梦(🚈)者北北（金(😹)巧巧饰）等(⛽)(dě(😚)ng )人在奋(fèn )斗(dòu )创业路上(😵)的不同经历、际遇和人(🏂)(ré(🍠)n )生(shēng )抉择(zé(〰) )，展现出佛山(🎹)人“敢为人先(📢)、(⬅)崇文务(wù )实(shí )、通(tōng )济(👜)(jì(😙) )和谐”的性格气质和城市(🌱)精神。

清(qīng )末(😳)民初，日本人(🛐)以(⛰)荣亚矿业公(✈)司(🤩)(sī )为(wéi )壳，瞄(miáo )上(shàng )了(🌝)南(😢)灵镇的皇墓，试图盗取国(🎤)宝(🚀)(bǎo )，荣亚(yà )矿(kuàng )业的负责(💥)人藤川负责(🚼)调(🗃)查“镇灵(líng )玺(📮)(xǐ )”。一(yī )日(rì(🎹) )，收(🈵)到线报，称南灵镇花(huā )家(🍞)少爷(yé )花(huā )易天在最近(🛐)的(🚸)一次倒斗中(🆗)，掌握(wò )了(le )国(😫)宝(bǎo )线(xiàn )索(💆)。藤(🧞)川盯上了花易天，而此时(👹)，花(👎)(huā )易天(tiān )一(yī )方面要面(🔅)对日本人的(🐺)虎视眈眈，一(📦)(yī(➿) )方面遭(zāo )到(😾)了花家分舵主王中鹤的(⬇)(de )反(🥊)(fǎn )水，失(shī )去(qù )了花家镇(🏪)外(💯)六部势力。内忧外患(huàn )之(💲)(zhī )下，花(huā )易(😳)天(🚄)以肥斗美差(🚯)招来了高手(✅)慕(🆘)长(zhǎng )风(fēng )助自己(jǐ )一(yī(🌻) )臂之力。机缘巧合下爱上(🎌)(shà(💌)ng )了花易(yì )天(🤧)(tiān )青梅竹马(🐒)的未婚妻唐(📈)婉(⚾)云的慕长(zhǎng )风(fēng )与花易(🌦)(yì(🐉) )天里应外合，在“花魁十年(🤸)庆”时(shí )清(qī(🥋)ng )盘了(le )王(wáng )中(🍅)鹤(🥁)势力。没想到(🍘)逃走的王中鹤(hè )绑(bǎng )架(🅾)了(🎹)唐(táng )婉云和花易天极尽(🎼)折(😋)磨，虽(suī )然二人(rén )侥(yáo )幸(🎋)逃出，但是花(📥)易(📞)天身体和精(😱)神(shén )全(quán )都(📖)元(💠)(yuán )气(qì )大伤，一蹶不振。花(✅)易天能否重新(xīn )振作?又(⛎)(yò(🦍)u )能(néng )否联手(🥌)慕长风终结(🗯)日本人(rén )的(🥤)阴(🚗)谋(móu )，守护住属于中国的(🤑)镇(👎)灵宝?

印度每(měi )年(nián )有超(🛍)过(guò )二万宗(🥕)针对女性的(👣)暴(😉)力罪案，平均(💏)(jun1 )每(měi )二十(shí )二(èr )分钟就(✴)有(😷)一名女性被强暴，每六(liù(🤥) )小(🙀)(xiǎo )时就有(yǒu )一名妇女因(🕘)家庭暴力丧(🅿)命(🕶)。年轻的(de )基(jī(🚳) )层女警索妮(😷)与(💇)上司卡帕纳在德里(lǐ )一(👽)(yī )同接(jiē )手(shǒu )调查不同(🍥)的(🐪)女性暴力事(🥃)件，在办案(à(💘)n )过程中(zhōng )往(🌖)(wǎ(👇)ng )往遭受到了重大阻力，无(⛓)(wú(👣) )日无之(zhī )的(de )罪案令她脾(🏖)气暴躁，做事(📐)方式偏(piān )离(🦋)(lí(👥) )常规，被裁定(🧖)在执勤中行为不当，而私(💌)人(🎁)(rén )生(shēng )活也(yě )影(yǐng )响到(🕛)了(🚞)她的职业表现，与丈夫已(♊)(yǐ )经(jīng )彼此(🔒)疏(🔞)(shū )离，却要被(🎯)迫面对他突(🦖)然(🐉)的(de )到访。印(yìn )度电影少见(🚿)的写实题材，以一场(chǎng )一(🤩)(yī(🍭) )镜营(yíng )造(zà(😿)o )出真实迫力(🔰)，将社会低下(🐥)层(😓)女性受(shòu )到压迫(pò )的(de )问(⛹)题(🧣)表露无遗。

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

나만 사랑하겠(🥐)다던 그놈이(🤺) 떠났다. 평생(🚂) 한(👐) 명의 남자만(😆) 만나온 "오선영"의 첫 실연(🐖) 극(💰)복기