隔壁住的三(🦅)个半熟(sh隔壁住的三(🦅)个半熟(shú )女(🔤)似乎偷(🎈)偷(tō(🎵)u )的在各(👦)(gè )自(🎗)房间做(🌋)着(zhe )不(🐛)可(kě )告人的(😤)囧事，而这些(🍆)是石(shí )头没(🚞)日没夜偷窥(🏴)得(dé )出的(de )结(😚)论。深知一(yī )人技薄的石(shí )头为了满足好奇，挖(🖖)掘更多(🤑)半(bà(🧑)n )熟女们(🆗)的私(🕋)生活，拉(🏞)拢(lǒ(🏭)ng )室友钱芳和(🛎)柳(liǔ )木加入(🌸)，三(sān )个冲动(🚿)期的屌丝男(🤴)(nán )面对隔壁(🙅)的(de )长腿姐(jiě )姐、知性御(yù )姐和(hé )甜美萝莉，引(🐟)(yǐn )发出了一(🍅)连(lián )串(🍂)让人(📒)脸红的(😕)尴尬(🎬)(gà )囧事(🐶)。
中年(🐀)(nián )建築師(shī(👀) )遇上人生瓶(⭕)(píng )頸，在家被(🛠)老婆嫌(xián )棄(📈)，公司小(xiǎo )開(🧤)兔死狗烹。失業(yè )的他(tā )在曼谷(gǔ )街頭驀(mò )然(🏌)回首，瞥(piē )見(😻)大象Pop Aye，憶(🎖)起歡(🍚)快(kuài )的(🤨)童年(🎪)時光(guāng )，毅然(📦)買下大象，卻(📶)發(fā )現都市(🚵)生活容(róng )不(🚭)下他倆，打算(🎃)和老象一路向(xiàng )北返鄉。這(zhè )趟人與(yǔ )象的公(🔊)路之(zhī )旅，途(🕝)中狀況(🕔)不斷(👧)(duàn )，所幸(🏼)萬能(🧠)(néng )的象(🥏)鼻領(🦑)著他倆，與沿(😬)路風景(jǐng )相(📏)伴。《爸媽不在(🐨)(zài )家》導演陳(🍝)哲藝監(jiān )製(🔈)，阿比查(chá )邦御用剪接操刀，看擅(shàn )長冷幽(yōu )默(📵)的才(cái )女導(🚬)演陳敬(🎤)(jìng )音(😆)，用象鼻(🧘)對抗(⤴)中(zhōng )年危機(🧦)！將(jiāng )泰國鄉(🗂)下的荒涼風(〽)(fēng )景，轉變成(📳)一首洋(yáng )溢(😘)著淡淡霓(ní(🎰) )虹光芒的自我蛻變(biàn )之歌。
A romantic thriller that explores the emotional aftermath of a one-night stand (and the inherent risks of hook-up culture) as a lonely man imagines what life might be like with a mysterious stranger he picks up on the New York City subway.
In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.
青釬(gā(😂)n )治乱，倚天定(🐼)国，长久(💿)(jiǔ )以(🚂)来，历代(🕟)皇(huá(😷)ng )帝都以(🥑)为只(🌠)(zhī )要得到青(🌮)釬和倚天(tiā(📲)n )两柄神剑就(⏳)(jiù )可夺得(dé(🚝) )天下，但却(què(🐂) )无一(yī )能识破两把宝(bǎo )剑的秘密。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.详情
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